Castle Builder
by Cat Mauldin -- Cannon
Beach Gazette
People like to believe there are castles
still. That’s the word from Cannon Beach artist Donny Masterson, who would
like to be castle host and offer his home as a sanctuary for artists needing
a retreat from the hustles and bustles of life.
“Maybe a monastic castle
in the desert, but it would be really high tech,” said Donny, 25. “It would
be a crossing of Old and New World, where artists can come and rest and
be encouraged, to have a place where they to take their understanding of
the truth. That’s my ultimate goal, because everyone needs a break now
and then.”
Focus,
balance are key for local artist; painting joyfully is goal
It was a needed break that
brought Donny to Cannon Beach from Nashville two summers ago. And it was
a long and circuitous route that got the Oregon native to Nashville in
the first place.
Born in Hermiston to an educator
and homemaker, Donny did most of his growing up in Three Hills, Alberta,
Canada. He graduated from high school there and spent two years at Prairie
Bible College.
The academic side of higher
education didn’t really appeal to Donny, but the community aspect did.
He especially enjoyed the friendships he made, and the music scene, which
appealed to his artistic side.
When the school discovered
that Donny wouldn’t be returning as a student, they convinced him to join
the staff as a graphic designer, something he’d been doing for years sans
computer.
But Donny’s a quick learner,
and soon he was creating portfolios and CD packages for a number of musical
groups. He moved to Nashville and worked as a graphic designer for Provident
Music Company. Donny described the arrangement as “pretty good,” but the
lifestyle got to him.
“The music scene was more
than I could handle,” he explained. “I couldn’t really understand my own
position there. I had made fun of the industry but I was working for them,
so it was kind of a paradox.”
Donny decided it was time
for a road trip, and Cannon Beach came to mind. He’d been here before,
and figured it was a good place for some R&R.
He rested, painted houses
off and on and got reinvolved with music groups in Nashville. Donny served
as road manager for a three-month tour for Matt Brouwer, a band from Nova
Scotia that was experiencing some commercial success.
Donny returned to Nashville,
did some more graphic design work that included a new corporate logo for
Reunion Records. But all the while he was touring and in Nashville,
something made him want to return to Cannon Beach.
So he made plans to head
west, but before he did, he wanted to see how much weight he could gain.
“That’s just the weird world
of Donny Masterson,” he quipped. “I knew I would go back and work out with
James Farentino (co-owner of Pizza a Fetta) and I just wanted to see how
much weight I could put on.”
He jumped from 165 to 200
pounds, then worked his tail off when he returned. The friendship with
James, bolstered by Farentino’s personal trainer efforts, grew into a business
relationship. Donny helped Farentino with a business plan for his new venture:
Bela Espresso. Farentino knew of Donny’s artistic endeavors and encouraged
him to do something in the new shop.
“He gave me some freedom, and he gave me borders,” said Donny. “I learned
that inside borders there is so much freedom. That’s one of the biggest
lessons I’ve learned, artistically and spiritually.”
He painted a full-wall mural
in the specialty coffee shop and has several free-standing paintings hanging
there. He plans to set up an easel there shortly and have several new pieces
ready for the Stormy Weather Arts Festival, which is the first week of
November.
Donny has been interested
in art as long as he can remember, but has never had any formal training.
It’s a decision he both regrets and celebrates.
“It seemed to me that art
professors encouraged free thought but tried to mold you,” said Donny.
“At the same time, it would be nice to have some direction, but I found
there’s lots of freedom in experimenting.”
That experimentation led to
Donny’s development of his own style of painting. He works in acrylics
and starts with what he calls are color values which he then tries to detail.
“It’s like taking a picture
that’s out of focus, then focusing in,” he explained. “I take colors and
shapes then focus them in until I start seeing what they are. It’s really
the only way I know how to do it.”
Donny says that most of his
paintings, which include portraits and architectural landscapes, are images
that create a healthy balance of dissonance and consonance, which gives
the viewer the idea that something is wrong, but still provides peace and
hope.
“There’s a lot of melancholy
in my work,” he said. “But there’s a peaceful discontent. My art shows
tension, which is where the real beauty is.”
Conceptualizing the image
that he’ll paint is the most challenging aspect of his artwork because
it’s the most critical.
“Once you have that,
it’s just a matter of capturing the concept or image,” said Donny. “Bringing
it out in two dimensions is the easy part. The hard part is knowing what
to bring out.”
For commissioned work, he
asks those he’s working for for their input. It’s a process that helps
with the conceptualization, and provides supreme satisfaction when all
goes well.
“I don’t think there’s anything
more satisfying than having people be part of a project,” said Donny. “I
had thought I haven’t been skilled enough to have what’s in my heart and
soul come out with other people, but I don’t think that anymore.”
He said he loves helping
people promote what it is they love or do, and he enjoys using he perspective
to create whatever it is — art or music labels — to achieve that goal and
support whomever in the visual marketplace.
Donny also recognizes there’s
an intricate balance between supporting himself and providing for others,
whether it’s with commercial or fine art.
“The whole endeavor, without
giving to others, would be fruitless,” said Donny. “But it cheapens the
work if you don’t ask for anything.”
He says he’s in a “confused”
state of employment now, having given up his position as manager of Bela
Espresso a few weeks ago. He’d like to focus on his art, but realizes he
needs to learn how to paint joyfully while making a living at it. His ultimate
goal is the castle, but he’d also like to produce a couple of artistic
but popular films. Donny loves film because it incorporates so many aspects
of art: visual, lyrical, musical.
When he isn’t painting, Donny
likes to hit a bucket of balls at the driving range, and he has a real
passion for driving. He has more than 400,000 miles on his car and a weekend
trip to see friends in Nashville isn’t out of the question. He also
likes to just think, but says that has its drawbacks.
“When you think, you can’t
ever get away from yourself,” he added. “And that can drive you mad.”
© 2002 Cannon
Beach Gazette Reprinted by permission. |