Oregon Magazine
   Cover |   Table of Contents


 
The true story of ...

OMED: The story below came to the magazine in a forwarded email from a good and steady friend.  You will never meet a more honest, more genuine human being -- but he is neither a journalist nor a scholar.  The piece has no attached verification trail as a degree paper would.  It also lacks the usual simple credits often included in a standard history-based newspaper story.  There isn't even a byline with it.  It's a heart-tugging tale, though.  See if it rings true in the reading for you. 
 
   We in the United States have all heard the haunting song, "Taps."  It's the song that gives us that lump in our throats and usually tears in our eyes. But, do you know the story behind the song?  If not, I think you will be interested to find out about its humble beginnings.   Reportedly, it all began in 1862 during the Civil War,  when Union Army Captain Robert Ellicombe was with his men near Harrison's Landing in  Virginia.  The Confederate Army was on the other side of the narrow strip of land.
   During the night, Captain Ellicombe heard the moans of a soldier who lay severely wounded on the field.  Not knowing if it was a Union or Confederate soldier, the Captain decided to risk his life and bring the stricken man back for medical attention.  Crawling on this stomach through the gunfire, the Captain reached the stricken soldier and began pulling him toward his encampment.

   When the Captain finally reached his own lines, he discovered it was actualy a Confederate soldier, but the soldier was dead.
   The Captain lit a lantern and suddenly caught his breath and went numb with shock,  In the dim light, he saw the face of the soldier.   It was his own son. The boy had been studying music in the South when the war broke out Without telling his father, the boy enlisted in the Confederate Army.    The following morning, heartbroken, the father asked permission of his superiors to give his son full military burial despite his enemy status.  His request was only partially granted.  The Captain had asked if he could have a group of Army band members play a funeral dirge for his son at the funeral. The request was turned down since the soldier was a Confederate.

   But, out of respect for the father, they did say they could give him only one musician.  The Captain chose a bugler.  He asked the bugler to play a series of musical notes he had found on a piece of paper in the pocket of the dead youth's uniform  This wish was granted.
   The haunting melody, we now know a "Taps" used at military funerals was born.

   OMED: With the exception of the war identified, what you have just read is almost certainly a fairy tale.  Here, some text from a website by the name of TruthOrFiction.
 
 

The Truth according to a researcher at West Point: there is no historical evidence that anyone named Robert Ellicombe even existed in the Union army. 

Master Sergeant Jari Villanueva is a part of theUnited States Air Force Band and is not only a 
historian about the tune "Taps," but is working on an exhibit for Arlington National Cemetery about bugle calls.  Both he and Kathryn Shenkle, Historian for Arlington National Cemetery, agree that "Taps" came from Brig. General Daniel Butterfield at Harrison's Landing in Virginia in 1862.  Sgt. Villanueva has found correspondence from both General Butterfield and a bugler which confirm the origins, although there are some minor discrepancies in their letters. (Photo is a link to the Arlington TAPS site.)

.
   From a Virginia government site called "Celebrating America's Freedom" we get "The Story of Taps."  This site supports Villanueva's version, and offers the standard description of the evolution of the name, itself.
 
 
The 24-note melancholy bugle call known as "taps" is thought to be a revision of a French bugle signal, called "tattoo," that notified soldiers to cease an evening's drinking and return to their garrisons. It was sounded an hour before the final bugle call to end the day by extinguishing fires and lights. The last five measures of the tattoo resemble taps. 

The word "taps" is an alteration of the obsolete word "taptoo," derived from the Dutch "taptoe."  Taptoe was the command - "Tap toe!" - to shut ("toe to") the "tap" of a keg.

   The media tells us every day that what you get on the internet is often not true.  The implication, of course, is that they are the only source you can trust.  Here is the actual truth.  If you do not wish to be in an environment where you are exposed to daily misinformation, lock yourself in the closet. 
   Or, you could do what we do.
   The thing about the internet is that no matter what the source of the information (your email box, a website, the New York Times or NBC), you can within minutes determine whether something is likely true or likely false.  That's what I did with the story of TAPS, above.  It's no wonder the bigtime press bunch bashes the net.  The variety of online sources make it easy to disprove their rot.  
   It's ridiculously easy to do.
   All that is required to do it is an online hookup and the ability to ask a few basic questions..

(LL)

© 2002 Oregon Magazine


 
      Around Oregon News Digest  |  Arts&Lettres  |  Business  |  Editorial  |  Events  | Life&Styles
      Natural History  |  Outdoor   |  SciTech  |   Sports  |  Travel  |  Peg's Bottom Gazette  |  Contact